Banu ([info]fyrekat) wrote,
@ 2003-08-22 20:15:00
Previous Entry  Add to memories!  Tell a Friend  Next Entry
Current mood: grateful

Skhmt: Bright Flame
My relationship with Skhmt (pronounced "sek-MET") started out very casual. As a young Pagan, training heavily in the areas of martial arts and veterinary medicine, it was only natural for me to look to Skhmt as a mentor- or perhaps a touchstone on my path. She embodied those things I most strongly believed in at the time: strength, discipline, healing as a sacred gift and duty, and complete dedication to one's ideals.

When I became a Wiccan I assimilated Her (in theory) into my image of the Goddess as a Crone aspect, but I thank all the gods of intuition and good fortune that I never actually put that theory into practice. She'd have whomped me good if I'd called Her a Crone to Her face. Instead, our bond was forged by my admiration of Her noble heart, diligence, and sense of purpose, and Her acknowledgment of same in me. But I never officially became a follower of Skhmt- I was just someone whose chosen path happened to follow Hers and She occasionally blessed me with a glance and a nod in my direction. As time went on I ended my study of martial arts and took a break from my study of medicine so that I could explore my love of languages- Skhmt's presence also faded from my life, as Djhwty took up a more prominent role.

When I entered the Kemetic Community proper, however, I met up with many of Skhmt's children who had extensive experience with this beautiful ntjrt and Her styles of teaching and worship. And the tales they had to tell frightened me. I became so afraid of Skhmt that I would not, could not look Her in the face or stand to be anywhere near Her.

I had no way, at the time, of knowing these stories and references to Skhmt's mighty anger for what they were- somewhat light-hearted remarks which come from a fondness of the ntjrt and an understanding of the reasons behind Her heavy-handed discipline. That is not to say that Skhmt doesn't wield Her power when it is appropriate, or that She won't slam Her children with a clue-by-four when they warrant it, but those who work with Her have come to know that Skhmt's anger comes from Her deep-rooted love for Her children. Her rage is a righteous anger at seeing Ntjr's creation muddled and tangled- so much pure potential lost and wasted. She is tough love, and She will push and roar and force Her children to live their full potential and follow Ma'at- all for the sheer passion of Her love for them and for the world in which each child contributes a necessary role. But when they are truly hurt or tired, when they honestly can't take another step (and aren't just fooling themselves into thinking that they can't), She will come- as Margaret Atwood so cynically, yet beautifully stated in her poem-

"the final one, a kind lion
will come with bandages in her mouth
and the soft body of a woman,
and lick you clean of fever,
and pick your soul up gently by the nape of the neck..."


... until you can take to your path, when She will roar Her challenge and begin the chase once more.

Skhmt is associated with the heat of the sun and the desert, and She possesses a bow and seven arrows which She can use to spread disease throughout the land. She is also, however, the patron ntjrt of doctors and in ancient times Her priests and doctors underwent special training to gain the ability to cure the ailments She spread in Her purging rages. Skhmt can be called upon for protection, and Her destructive power can be redirected toward the destruction of disease or other dangers.

She is one of the avenging Eyes of Ra, and as such Her influence is particularly great toward the end of the old year and the beginning of the new. At this time She is traditionally named as the mother of Hrw and is petitioned for His protection and good health during the new year so that, through Him, the people may have Her protection and good health as well.

Skhmt is most commonly shown carrying the ankh and the wadj scepter, but is also occasionally shown with Her bow and arrows.

The ankh is commonly held by all the ntjrw. What exactly the ankh-symbol represents is a controversial subject- most believe it to be a sandal strap, but it has also been suggested that it may be an amuletic bow (like the tyt-knot), a ritual tool used to pry open the mouths of mummies in the "Opening of the Mouth" ceremony, a symbol of sexual union, or even the sun casting His light over the horizon. What the ankh means, however, is much more clear- it is a symbol of life.

The wadj scepter- a stylized stalk of papyrus which looks like a staff with an upside-down bell shape on the tip- is a symbol shared by most ntjrwt. It represents youth, joy, fertility, and the abundance which is the gift of the Nile- most potently seen in the lush papyrus swamps that grow along its shores and the living things that thrive within them.

The bow and arrows are the tools She uses to send death and destruction or protection, at Her choosing. The arrows of Skhmt can be used for striking at demons who attack the people and the ntjrw, or for spreading plague and destruction among those who have aroused the ntjrt's anger.

She usually takes the form of a woman with the head of a male lion, but is sometimes shown as a lion wearing the sun disk on Her head. Her solar disk headdress is commonly combined with the Wadjt-cobra which She bears on Her brow- rarely, but occasionally, She can be shown wearing more than one cobra. In one statue which I have seen, She wears the headdress of Amn-Ra combined with the headdress of Hwt-Hrw and the Wadjt-cobra.

The solar disk headdress shows Her close association with the sun and its power to burn or sustain life, and the Wadjt-cobra is a symbol of divine protection commonly seen on the forehead of human royalty and some divine figures- such as Ra and Bast- where She spits fire at any who would approach to do harm.

That She would wear the headdress of Hwt-Hrw is no major surprise, since Hwt-Hrw was once said to transform into Skhmt, but that She would wear it combined with the headdress of Amn-Ra shows that She has some association with this ntjr as well- perhaps because She is a daughter of Ra and was at one time identified with Mwt, the wife of Amn. The headdress of Amn-Ra consists of twin ostrich plumes- symbols of Ma'at- which stand straight and tall, and the solar disk of Ra centered before them.

Skhmt is a daughter of Ra, a wife of Pth, and mother to the beautiful perfume ntjr Nfrtm.

It wasn't until a near fatal illness which required emergency surgery and an extensive stay in the hospital that I turned my attention, once again, to this powerful ntjrt. My mother had flown across the country to change my bandages and make me venture forth from my bed each day. She finally realized the best way to do this was to tempt me with a trip to a local Egyptian museum that I hadn't yet been able to visit (clever Mom). So I went, huffing and puffing and somewhat nauseated by the pain, and the artifacts at the museum were beautiful. I hobbled backward into one gallery while admiring a display of sistra on the wall just to my left, and when I turned around it was like hitting a brick wall- only this wall was composed of an energy more intense than anything I'd experienced in a long time. It made my chest hurt, and I almost couldn't breathe. When I looked around I saw two statues of Skhmt just before me, and I knew that one of them was an open statue.

I felt an almost irresistible draw to kneel and bow, but I also felt Her strong arms helping me to keep standing- my injuries were too great for me to get back up after bowing, or even to stand for prolonged periods on my own. Feeling Her firm support, Her kindness in that moment, changed my perception of Her completely. That one moment was a revelation for me, and from that point I knew She was with me- helping me to recover, pushing me to continue my training and education, and forcing confrontations with my personal demons. At the next Wp Rnpt saq, Skhmt officially called me into Her service.

In my personal experience, ritual encounters with Skhmt are frequently intense, and very hot. The heat builds up remarkably, until the sweat is literally dripping off my face when I bend in dua. She tends to be pretty blunt- not nearly as cryptic as some of the others- and the challenges She has issued me have involved some of the more painful aspects of my personal history. When She first called to me She was easily able to force me into facing issues that no other ntjr could make me confront- simply because I was scared spitless of Her. But I have always been better off for those encounters; She has encouraged me to learn new things every day but also to take the time to appreciate my life and understand why sticking around and learning things is so important.

Click here for titles, hymns, and sources on Skhmt



(4 comments) - (Post a new comment)

The Phoenix Flies
[info]setasplace
2003-08-22 09:02 pm UTC (link)
Em hotep Banu/[info]fyrekat!

I think the above on Sakhemet was absolutely beautiful and stunning - and with the added features (the links you place to pictures or other parts in your LiveJournal) - you could make a nice article on you personal experiences with the Goddess/Nutjerat. :) Go for it! But what ever you choose to do of course.

The questions I have though are:

- Is "saq" truly an Egyptian word and the word that they would use to describe more heavily involved oracles and divinations? I've never come across the word, but then again, I'm so behind in my studies, of corse I'd never have heard of it!

- Is it necessary to bow and do "henu" before the statues of the Gods and Goddesses, all of them when around them. I remember when I was at the British museum - I felt compelled to take pictures of the statues of Sakhemet there - but not so much bow or "henu". Not to be offensive, I just didn't feel that type of compulsion, but it was like I was told to take pictures of her statues - which interestingly enough are some of the rare pictures that actually came out well!

- Is "dua" actually a real term or the correct term for "prayers" or "shrine worship" or maybe even "public worship"?

When it comes to the words "Saq" and "Dua", I just can't help but feel fishy about it - so I guess I am also asking where can I find proof that these are truly correct terminologies to what the ancient Egyptians did for divination and prayer/worship?

I know I always forget my sources on Set, so if you cannot remember or whatever, don't sweat it, but please also don't feel offended if I repeat my questions to others.

Again Banu, wonderful work here. :) I really wish you'd submit it to a magazine for publication - even if it was only a "Witch" magazine - at least then you'd be educating those who may think bad of Sakhemet! :)

Much love!
Take care!
Be well!

Senebty!

~ Seta

(Reply to this) (Thread)

Re: The Phoenix Flies
[info]fyrekat
2003-08-23 12:10 pm UTC (link)
- Is "saq" truly an Egyptian word and the word that they would use to describe more heavily involved oracles and divinations?

That I do not know for certain- I've been searching for verification of the term for a while now. It could possibly be an AE word, since "s," "a," and "q" are all transliteration symbols for sounds that are actually a part of the language.

In the glossary to Allen's "Middle Egyptian", I have found a verb "saq" which means "to introduce, to bring in." I think it likely that this is where the term has come from, since the essence of the ntjr is certainly "brought into" the medium and "introduced" to those who are witnesses. But since modern Kemetics do not write their mdw ntjr in hieroglyphic it makes it difficult for me to track terms. There are many words which look and sound the same in transliteration, but are very different when written in the 'glyphs.

I use the term because it is used by the major temples of the online Kemetic community- who have played a large part in my training- and if they can agree on anything then I figure there must be something to it.^_~

- Is it necessary to bow and do "henu" before the statues of the Gods and Goddesses, all of them when around them.

I feel that it is necessary to do it only when in a ritual context or when the ntjrw Themselves require it elsewhere. Otherwise, it is an act of devotion which is never inappropriate to the ntjr, but may or may not be appropriate to the time and place where you encounter the image of Ntjr. I do not prostrate myself in dua every time I see an image of a ntjr- though I do approach Them with reverence. If we had to dua every time we saw one, we'd get kicked out of all the museums.^_^ It's just that in this particular case the statue was an open one and it was very clearly radiating a sacred energy. That tends to make a person want to acknowledge it with a ritual response.

- Is "dua" actually a real term or the correct term for "prayers" or "shrine worship" or maybe even "public worship"?

"Dua" is an actual ancient Egyptian word meaning "worship," so yes it is a real term. Other terms also meaning "worship," according to my English index to Faulkner's "Concise," include:
  • snsw
  • duat
  • shmsw (note: I don't have the hieroglyphic writing of this term, so I don't know how it relates to other, similar, terms)
  • snsy
  • tr

    As you can see, there are several options to chose from, each may have a slightly different connotation, but I haven't done enough study on this subject to hazard a guess at what those connotations might be.

    When it comes to the words "Saq" and "Dua", I just can't help but feel fishy about it - so I guess I am also asking where can I find proof that these are truly correct terminologies to what the ancient Egyptians did for divination and prayer/worship?

    Probably your best bet would be to contact an egyptologist and ask them if they have ever heard of the term. I get my validation from looking the terms up in a glossary such as the ones attached to my grammars- for me, if the word is actually listed and means what I think it means then that is validation enough for me. That does not mean that the ancient Egyptians used it in the same way, however. For example, the English word "expostulation" means "to approach someone for purposes of dissuasion." "Negotiation" can be used in the same way, but how many people do you know of who would speak of diplomatic expostulations? The ancient Egyptians may not have used the terms which we use now, in the same way that we use them, however so long as those terms exist in their language they are genuine and I see no reason not to reclaim them for our own use.

    (Reply to this) (Parent)

  • spellings of dieties' names?
    [info]durght
    2005-06-28 02:39 am UTC (link)
    I'm curious about the way you spell the dieties' names. I've never seen that before, and I'm wondering why you do it. What can you tell me about that?

    (By the way, Darkhawk on the ecauldron.net forums suggested I read this when I started a thread asking for information about Sekhmet. Thanks for putting your experience out there for others to learn from!)

    (Reply to this) (Thread)

    Re: spellings of dieties' names?
    [info]fyrekat
    2005-07-31 06:58 am UTC (link)
    It's a compromise between the way the ancient Egyptians wrote them, and a way which will be legible to modern readers. The ancient Egyptian written language did not record most vowels, and the few which were recorded could almost be termed "false vowels"- something between a vowel and a consonant. The e's which you frequently see filled in on ancient Egyptian words are a scholarly convention- they are not the actual vowels which should be there, and sometimes we're not even certain if anything should be there at all. When vowels other than e's are filled in, then that is based on other language's writings of the names, which give us hints as to what was originally there. I simplify the matter by only writing the sounds which the ancient Egyptians wrote- after all, it was the style of record used in their own language, whose creation is usually credited to Djhwty (Thoth) Himself, and so my adoption of that style is in deference to their wishes and my own lack of knowledge. I would rather write only the sounds which I knew to be there, then to accidentally mangle the name by writing it with vowels which are generally acknowledged to be made-up anyway.^_^' I take the written word very seriously, and so to me this is a way of honoring the gods.

    Another interesting point, which unfortunately may be a bit confusing to some of the folks who read my entries, is that the names commonly used for many of the ancient Egyptian gods are actually renditions of Their Greek names, rather than the ancient Egyptian versions. When this is the case, I use the ancient Egyptian's spelling of the name, in addition to leaving out unrecorded vowels, which presents a double-whammy to new Kemetics who don't know the Egyptian names yet. This concerns me greatly, as I would like to be understood, obviously- but I haven't figured out a way to reconcile the situation. So for the time being, I have the Directory of the Ntjrw- which I hope will illustrate a wide selection of the names- and the gods with Whom I work most frequently have tribute pages, such as this one devoted to Skhmt. I just try to link to those pages whenever using Their names in an essay-style post. In this way, anyone who is confused by the spelling can go to an in-depth description of the god/dess, and either figure out Who I'm talking about or become newly acquainted with Him or Her.^_^

    I do, however, follow the advances which are being made in vowel-reconstruction with a great deal of interest, and when I speak the names I will use the reconstructed vowels unless I get a negative response from the deity concerned when I do so.^_~ If I have nothing else, then I will pronounce the names with the e's unless the deity coaches me on pronunciation- but that sort of UPG (unverified personal gnosis) would not be given as a pronunciation here on the journal. If I give a pronunciation guide here which includes unwritten vowels other than e, then it is based on academic resources.

    Thanks for asking- this is a very interesting subject for me, and I always appreciate it when people notice and ask questions. I'm flattered that Darkhawk sent you here, as well- thanks to both of you for the warm compliments.^_^

    (Reply to this) (Parent)


    (4 comments) - (Post a new comment)

    Create an Account
    Forgot your login or password?
    Login w/ OpenID
    English • Español • Deutsch • Русский…